The base and the chair back are constructed from three pieces of solid wood, bent at a different angles. Each of the three pieces is then cut in two to counterbalance the tensions created during the steam-bending and the drying processes.
Posts tagged original
USED IN VERY GOOD CONDITION, HILLS-DECARO FRANK LLOYD WRIGHT HOUSE, ORIGINAL 1 OF 1 PENCIL DRAWING, FRAMED & MATTED. FRAME MEASURES 33″ x 27″, DRAWING MEASURES 23″ x 17″. A LITTLE HISTORY: THE E. HILLS HOUSE WAS DESTROYED BY FIRE IN 1976. FOR THE NEXT TWO YEARS, MY FATHER REBUILT THE HOUSE TO THE ORIGINAL FRANK LLOYD WRIGHT DESIGN AND BLUE PRINTS. UPON COMPLETTION OF THE REBUILD, MY FATHER HAD THIS PIECE COMMISSIONED. THE DRAWING IS DONE IN PENCIL BY THE ARTIST HENNESSY, DATED AND SIGNED 1981. THIS IS THE ONLY PIECE. THIS IS AN ORIGINAL ONE OF ONE. A RARE CHANCE TO OWN A UNIQUE PIECE OF FRANK LLOYD WRIGHT HISTORY. THE HOUSE WAS RENAMED THE HILLS-DECARO HOUSE BY THE NATIONAL HISTORICAL PRESERVATION SOCIETY. I WILL BE LISTING SOME OTHER UNIQUE PIECES IN THE FUTURE. PLEASE LOOK AT THE OTHER GREAT ITEMS IN MY STORE. I DO NOT MARK MERCHANDISE VALUES BELOW VALUE OR MARK ITEMS AS “GIFTS” — US AND INTERNATIONAL GOVERNMENT REGULATIONS PROHIBIT SUCH BEHAVIOR.
This is an original Mint Condition poster for a FRANK LLOYD WRIGHT Exhibition (Masterworks from the Frank Lloyd wright Archives) at the Phoenix Art Museum (1990). The poster is approximately 11.0″ x 36.0″. The poster has never been displayed & has been stored rolled. Please see images for more detail. Mint (M) is a poster that has never been used or displayed. May show extremely minor signs of age. Folded posters may show very minimal wear at the folds due to storage. The posters should have no holes, no tears and no paper loss. Near Mint (NM) is a poster that appears fresh and lightly used, with saturated colors. Folded posters may show very minimal wear at the folds. Very Fine is a poster with bright color and a clean overall appearance. It may have one or more general signs of use such as slight fold separation, fold wear, pin holes, or very minor tears. Fine (F) is a poster with good color and a very presentable overall appearance. It may have tears, slight paper loss, pin holes, minor stains and some fold separation. Very Good (VG) is a poster with either bright or only slightly faded color and presentable overall appearance. It may have some paper loss, staining, writing in unobtrusive places, tears, pin holes, fold separation and tape supporting the back of the poster. Good (G) is an average poster showing general signs of age wear, which may have some color fading, paper loss, staining, writing, tears, pin holes, fold separation, tape, tape stains, signs of aged paper and need restoration. Fair (FR) is a below average poster showing significant signs of use and age, which may have some color fading, paper loss, staining, writing, tears, pin holes, fold separation, tape, tape stains, signs of aged paper and definitely needing significant restoration. Poor (P) is a poster that is in dire need of restoration.
USED IN VERY GOOD CONDITION, HILLS-DECARO FRANK LLOYD WRIGHT HOUSE, ORIGINAL 1 OF 1 PENCIL DRAWING, FRAMED & MATTED. FRAME MEASURES 33″ x 27″, DRAWING MEASURES 23″ x 17″. A LITTLE HISTORY: THE E. HILLS HOUSE WAS DESTROYED BY FIRE IN 1976. FOR THE NEXT TWO YEARS, MY FATHER REBUILT THE HOUSE TO THE ORIGINAL FRANK LLOYD WRIGHT DESIGN AND BLUE PRINTS. UPON COMPLETTION OF THE REBUILD, MY FATHER HAD THIS PIECE COMMISSIONED. THE DRAWING IS DONE IN PENCIL BY THE ARTIST HENNESSY, DATED AND SIGNED 1981. THIS IS THE ONLY PIECE. THIS IS AN ORIGINAL ONE OF ONE. A RARE CHANCE TO OWN A UNIQUE PIECE OF FRANK LLOYD WRIGHT HISTORY. THE HOUSE WAS RENAMED THE HILLS-DECARO HOUSE BY THE NATIONAL HISTORICAL PRESERVATION SOCIETY. I WILL BE LISTING SOME OTHER UNIQUE PIECES IN THE FUTURE. PLEASE LOOK AT THE OTHER GREAT ITEMS IN MY STORE. I DO NOT MARK MERCHANDISE VALUES BELOW VALUE OR MARK ITEMS AS “GIFTS” — US AND INTERNATIONAL GOVERNMENT REGULATIONS PROHIBIT SUCH BEHAVIOR.
USED IN VERY GOOD CONDITION, HILLS-DECARO FRANK LLOYD WRIGHT HOUSE, ORIGINAL 1 OF 1 PENCIL DRAWING, FRAMED & MATTED. FRAME MEASURES 33″ x 27″, DRAWING MEASURES 23″ x 17″. A LITTLE HISTORY: THE E. HILLS HOUSE WAS DESTROYED BY FIRE IN 1976. FOR THE NEXT TWO YEARS, MY FATHER REBUILT THE HOUSE TO THE ORIGINAL FRANK LLOYD WRIGHT DESIGN AND BLUE PRINTS. UPON COMPLETTION OF THE REBUILD, MY FATHER HAD THIS PIECE COMMISSIONED. THE DRAWING IS DONE IN PENCIL BY THE ARTIST HENNESSY, DATED AND SIGNED 1981. THIS IS THE ONLY PIECE. THIS IS AN ORIGINAL ONE OF ONE. A RARE CHANCE TO OWN A UNIQUE PIECE OF FRANK LLOYD WRIGHT HISTORY. THE HOUSE WAS RENAMED THE HILLS-DECARO HOUSE BY THE NATIONAL HISTORICAL PRESERVATION SOCIETY. I WILL BE LISTING SOME OTHER UNIQUE PIECES IN THE FUTURE. PLEASE LOOK AT THE OTHER GREAT ITEMS IN MY STORE. I DO NOT MARK MERCHANDISE VALUES BELOW VALUE OR MARK ITEMS AS “GIFTS” — US AND INTERNATIONAL GOVERNMENT REGULATIONS PROHIBIT SUCH BEHAVIOR.
This is an original Mint Condition poster for a FRANK LLOYD WRIGHT Exhibition (Masterworks from the Frank Lloyd wright Archives) at the Phoenix Art Museum (1990). The poster is approximately 11.0″ x 36.0″. The poster has never been displayed & has been stored rolled. Please see images for more detail. Mint (M) is a poster that has never been used or displayed. May show extremely minor signs of age. Folded posters may show very minimal wear at the folds due to storage. The posters should have no holes, no tears and no paper loss. Near Mint (NM) is a poster that appears fresh and lightly used, with saturated colors. Folded posters may show very minimal wear at the folds. Very Fine is a poster with bright color and a clean overall appearance. It may have one or more general signs of use such as slight fold separation, fold wear, pin holes, or very minor tears. Fine (F) is a poster with good color and a very presentable overall appearance. It may have tears, slight paper loss, pin holes, minor stains and some fold separation. Very Good (VG) is a poster with either bright or only slightly faded color and presentable overall appearance. It may have some paper loss, staining, writing in unobtrusive places, tears, pin holes, fold separation and tape supporting the back of the poster. Good (G) is an average poster showing general signs of age wear, which may have some color fading, paper loss, staining, writing, tears, pin holes, fold separation, tape, tape stains, signs of aged paper and need restoration. Fair (FR) is a below average poster showing significant signs of use and age, which may have some color fading, paper loss, staining, writing, tears, pin holes, fold separation, tape, tape stains, signs of aged paper and definitely needing significant restoration. Poor (P) is a poster that is in dire need of restoration.
FRANK LLOYD WRIGHT FALLING WATER ORIGINAL OIL PAINTING. OF FRANK LLYOD WRIGHT’S FAMOUS HOUSE. OIL ON CANVAS 24 X 36 INCHES TALL. CHERRY WOOD FRAME BY FRAME GUILD. SIGNED LOWER RIGHT BY CILLA. This item is in the category “Art\Paintings”. The seller is “saveabook” and is located in this country: US. This item can be shipped worldwide.
- Type: Painting
- Original/Licensed Reproduction: Original
- Size: Large
- Production Technique: Oil Painting
1901-02 oversized leaded art glass window or possibly door pane designed by american architect frank lloyd wright for the extant william e. Fricke residence located in oak park, il. The strongly geometric “light screen” is comprised of closely arranged lead cames with clear glass, interspersed by subtle blue opalescent squares throughout. The long and narrow segmented rectangles along the top, consist of hammered texture blue opalescent glass topped with pink cathedral glass squares. The exact fabricator is not known, but could be attributed to temple art glass or possible the linden glass company. The large window was purportedly removed from the passage way leading to the the non-extant pavilion that was demolished in the 1920′s. The three-story william g. Fricke house was originally designed and built in 1901-02 on the corner of fair oaks avenue and iowa street in oak park, il. The lot stood vacant until 1948 when a nondescript house was erected. Frank lloyd wright designed the house in 1901 during a brief partnership with webster itomlinson. Wright designed the garage for martin 1907. Fricke commissioned wright to build the home shortly after he became a managing partner at the weber-costello-fricke co. Specializing in school supplies. The stucco-clad house is one of the first completely mature prairie style designs by frank lloyd wright. Around this time wright had dropped nearly all of his classical and “sullivanesque” elements from his designs and/or commissions. The house is considered to be the most successful of wright’s three story prairie homes. To this day, it remains a private residence. The window measures 50 x 27 3/4 inches. Note: measurements include oak frame. This item is in the category “Antiques\Architectural & Garden\Stained Glass Windows”. The seller is “urbanremainschicago” and is located in this country: US. This item can be shipped to United States.
- Features: Leaded, Salvage
- Size: Large
- Age: 1900-1940
- Decade: 1900s
- Original/Reproduction: Antique Original
Falling Waters Frank Lloyd Wright Original Signed Architecture Drawing VTG 1930. 27.5″ x 22″ 1.5 Depth. Vintage 1930′s Original Frank Lloyd Wright Falling Waters 3D Architectural Rendering Prototype Drawing by Kovach, who worked alongside Wright on Falling Waters, Alfred Herbert House and Thurber Art Gallery. Piece is numbered 137/250. Signed by original artist Charles Kovach in right hand corner. An incredibly rare piece. This item is in the category “Home & Garden\Home Décor\Posters & Prints”. The seller is “takebackourdays” and is located in this country: US. This item can be shipped to United States.
- Artist: Frank Lloyd Wright
- Non-Domestic Product: No
- Size: Large
- Custom Bundle: No
- Material: Archival Quality
- Subject: Architecture
- Modified Item: No
- Brand: Frank Lloyd Wright
- Type: Lithograph
- Style: Illustration
- Theme: Art, Houses & Architecture, Architect, Architectural Design
- Original/Reproduction: Original
- Features: 3D Effect, Framed, Ready To Hang
- Room: Any Room
A rare, original hard cover with the 7 loose Frank Lloyd Wright issues, all with soft cover and rafia. Of the famous, Dutch art deco magazine. Published in 1925 and 1926, as volume 7 / series VII, no. 3, 4, 5, 6, 7, 8 and 9. The Life-Work of the American Architect Frank Lloyd Wright. With contibutions in by European achitects and American writers. Wijdeveld, Frank Lloyd Wright, H. Mallet Stevens, Erich Mendelsohn, and Louis H. The art journal Wendingen was published between 1918 and 1931, in a total of 116 issues. See below for more general information on the magazine Wendingen. Condition: see all pictures. The 7 loose issues near mint. The hard cover has some stains on the spine, but the red leather and gold very nice, front and back cloth very nice. Hard cover and issue covers design & layout: H. Title page design of the first issue: Frank Lloyd Wright. Circa 200 pictures, floor plans and drawings. Documentation on the hard cover you can find at. Steinerag, The Wright Library, Wendingen, described as cover Version 1, especially about the spacers in this hard cover. 1 you will find a rare tag on the inside of the cover, inserted on behalf of the publisher and printer, described by Martijn F. 7-3 1925, Part I. Date of issue October 1925. In the cause of architecture. By Frank Lloyd Wright – first paper March 1908. 7-4 1925, Part II. Date of issue November 1925. By Frank Lloyd Wright – second paper May 1914. 7-5 1925, Part III. Date of issue January 1926. In cause of the architecture. By Frank Lloyd Wright – second paper. 7-6 1926, Part IV. Date of issue February 1926. The influence of Frank Lloyd Wright on the architecture of Europe. Frank Lloyd Wright et l’architecture. 7-7 1926, Part V. Date of issue March 1926. Concerning the Imperial Hotel Tokyo Japan. 7-8 1926, Part VI. The Imperial Hotel Tokyo Japan. Reflections on the Tokyo disaster. 7-9 1926, Part VII. Date of issue April 1926. To my European co-workers. By Frank Lloyd Wright. We have circa 75 different issues of Wendingen. For some, do visit our shop, category: Wendingen. We are: delta 98 den haag. The Hague, The Netherlands, EU. Chambers of Commerce in The Netherlands / KvK Haaglanden: file 27133335. If possible with tracking, priority and. Under Incoterm: DAP. Weight > 2kg. Was the expression of a group of young architects, a subgroup of the members of the professional Dutch association Architectura et Amicitia, which included not only architects and engineers, but artists, skilled technicians and craftsmen. This magazine was geared not just to members of the organization, but to those interested in architecture and the graphic and decorative arts. The first issue, edited by Hendrikus Theodorus Wijdeveld, was published in January 1918 with a limited print-run of approximately 150 copies. The title of the magazine, choosen by Wijdeveld, means “upheavals” and was taken from a quote by Nietzsche about – Umwalzung aller Werte – or upheaval of all values. From 1918 until 1931, 116 issues of. Most of the issues had specific themes, with text limited to give more space to the illustrations. Among the theme issues were 31 dedicated to Dutch architecture, 10 to the applied arts, 11 to sculpture, 10 to painting, 11 to graphics, and 8 to theater and dance. The variety reflected the artistic ferment during these early years of Dutch modernism and the eclectic interests of the magazine’s editorial staff. Among the artistic influences on the magazine were the Amsterdam School of art deco architecture and German expressionism. Non-Dutch artists and art were also single subject in some issues, for example: Frank Lloyd Wright, Eileen Gray, Hermann Finsterlin, Gustav Klimt, Josef Hoffmann, Antoine Bourdelle, Ossip Zadkine, Diego de la Rivera, Lyonel Feininger, Eric Mendelsohn, Hungary, old Russian icons, old East Asian art, Hindu Javaneese sculpture, European ceramics, Scandinavian architecture and applied arts, kristals and minerals, Shells, woodcuts and prints, advertising. Was also important for its layout and typographic design. The design was influenced by William Morris and by Japanese-style bookbinding. The magazine’s contribution to Dutch typographical art was its close integration of text and decoration. The geometrically stylized typefaces and decorative elements of. Were influential in advertising graphics and book and magazine covers throughout Europe. There are issues with articles and pictures about art and applied art on: frank lloyd wright, h. Lauweriks, josef hoffmann, eric mendelsohn, hermann finsterlin, eileen gray, w. Gispen, hildo crop, samuel jessurun de mesquita, jan toorop, gustav klimt, josef mendes da costa, p. Kramer, michel de klerk, albert hahn, johan thorn prikker, ossip zadkine, chris lebeau, diego rivera, j. Wijdeveld, antoine bourdelle, r. Roland holst, joep nicolas, pyke koch, a. Willink, amsterdam school, haagse stijl, de stijl, gispen, sculpture, theatre, art of the far east, posters, leerdam glas, art from sweden, denmark, hungary, austria, france, holland, finland, woodcuts, interior design, architecture, buildings, bridges, van nelle fabriek, de bijenkorf den haag and rotterdam, dance, masks, theatre, indonesia, puppets and marionets, furniture, and more. Covers were designed by: peter alma, h. Van anrooy, tine baanders, c. Bolken, tjerk bottema, j. Van den eijnde, albert hahn jr, jan havermans, j. Kathof, michel de klerk, j. Ten klooster, albert klijn, e. Kuipers, anton kurvers, g. Copier, jan sluyters, chris lebeau, samuel jessurun de mesquita, vilmos huszar, el lissitzky, hermann finsterlin, h. Wijdeveld, christa ehrlich, w. Lion cachet, theo van reijn, hildo krop, willem van konijnenburg, johan polet, jac. Dudok, margaret kropholler, h. Wouda, frits lensvelt, johan luger j. Marnette, fokke mees, joseph mendes da costa, joep nicolas, toon poggenbeek, johan polet, jan poortenaar, r. Roland holst, willem rozendaal, s. Snellebrand, arthur staal, jan toorop, n. Van de vecht, j. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “delta98denhaag” and is located in this country: NL. This item can be shipped worldwide.
- Binding: hardcover & softcover + raffia
- Place of Publication: Santpoort
- Publisher: C.A. Mees
- Subject: Frank Lloyd Wright
- Year Printed: 1925
- Original/Facsimile: Original
- Limited edition of circa: 1100
- Language: English mainly
- Special Attributes: 1st Edition, Illustrated, Limited Edition
- Region: Europe
- Author: Wijdeveld, Wright Berlage, Oud, Sullivan, Mumford, Mallet-Stevens
- Country/Region of Manufacture: Netherlands
- Topic: Architecture Frank Lloyd Wright
- Cover design: H.Th. Wijdeveld