Posts tagged print

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12×14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

Frank Lloyd Wright Buildings Plans and Designs Print Portfolio 1963

[Author] Frank Lloyd Wright. [Year of Publication] 1963. [Condition] Case damaged and faded. [Contents] A full-sized reproduction of the Wasmuth edition, containing 100 large plates of Frank Lloyd Wright’s first collection of drawings, published in 1910. [Size] Plate 65 x 41.5 cm / 25.5 x 16.3 in. The case has faded and stained due to aging, small scratches, light damage to the corners and edges, and a small crack in the wrapping paper, but the plates themselves are in good condition and can be viewed without any problems. Expedited: 1 to 2 weeks Estimated days may vary depending on the country and time. [About US] We are located in Japan. It’s our pleasure to make you happy by proposing our recommend item. If you have any questions or request about items, please feel free to ask us.

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12×14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

Print Frank Lloyd Wright Engraving Portrait 12×14. Print Method: Quadtone Plate (Four different tones or color plates). Color / B&W: Black & White. Image Height: 9.45 ins. Image Width: 7.48 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 14.0 ins. Mount Width: 12.0 ins. Standard Frame: 12 by 14. The mount and mat are brand new. As a pioneer of fashion photography, Steichen’s gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. Later in his career, Steichen became an influential impresario, promoting photography as a tool of mass media while retaining his fierce dedication to craft. He upheld these views as head of the photography department at the Museum of Modern Art, New York, from 1947 to 1962. National Gallery of Art. In 1900 Steichen made a brief stopover in New York City en route to Paris, where he was planning to study painting at the Académie Julian. White had come across the young artist’s photographs and was impressed enough to arrange for him to meet with Alfred Stieglitz (American, 1864 – 1946) at the Camera Club of New York. Stieglitz ended up purchasing three photographs from Steichen-a self portrait and two dreamy forest scenes-for the considerable price of five dollars apiece. American photographer who achieved distinction in a remarkably broad range of roles. In his youth he was perhaps the most talented and inventive photographer among those working to win public acceptance of photography as a fine art. He went on to gain fame as a commercial photographer in the 1920s and’30s, when he created stylish and convincing portraits of artists and celebrities. He was also a prominent curator, organizing the hugely influential “Family of Man” exhibition in 1955… With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Historical Portraits” category. Quadtone Process (Words And Photos). A tritone image is printed with three inks, and a quadtone is printed with four inks. The inks are usually Pantone colors that you can choose in Photoshop beginning with a dark base color such as black, a variation of black, or another dark color, along with a lighter second ink. A tritone adds a third ink, and fourth ink is added for a quadtone… Some people focus on four distinct regions of the overall tone curve (from highlights to shadows) using cyan, magenta, yellow, and black in percentages that mimic a black-and-white photo i. To omit visible color detail and produce a range of tones approximating black, grey, and white. This is called a quadtone, quadtratone, or 4-color black-and-white image. From a distance, it looks like a black-and-white photo with incredible depth of tone and image detail, but through a printer’s loupe you can see the cyan, magenta, yellow, and black halftone dots… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 12.0 ins wide x 14.0 ins high mount board. Vintage Print: VP2D0829 is a GENUINE EDWARD STEICHEN, QUADTONE PLATE. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 2008, ready for a standard 12 by 14 frame, Image size: 7.48 ins wide x 9.45 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP2D0829 is a genuine Quadtone Plate print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 2008. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP2D0829 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12×14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12×14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12×14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

Print Frank Lloyd Wright Engraving Portrait 12×14. Print Method: Quadtone Plate (Four different tones or color plates). Color / B&W: Black & White. Image Height: 9.45 ins. Image Width: 7.48 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 14.0 ins. Mount Width: 12.0 ins. Standard Frame: 12 by 14. The mount and mat are brand new. As a pioneer of fashion photography, Steichen’s gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. Later in his career, Steichen became an influential impresario, promoting photography as a tool of mass media while retaining his fierce dedication to craft. He upheld these views as head of the photography department at the Museum of Modern Art, New York, from 1947 to 1962. National Gallery of Art. In 1900 Steichen made a brief stopover in New York City en route to Paris, where he was planning to study painting at the Académie Julian. White had come across the young artist’s photographs and was impressed enough to arrange for him to meet with Alfred Stieglitz (American, 1864 – 1946) at the Camera Club of New York. Stieglitz ended up purchasing three photographs from Steichen-a self portrait and two dreamy forest scenes-for the considerable price of five dollars apiece. American photographer who achieved distinction in a remarkably broad range of roles. In his youth he was perhaps the most talented and inventive photographer among those working to win public acceptance of photography as a fine art. He went on to gain fame as a commercial photographer in the 1920s and’30s, when he created stylish and convincing portraits of artists and celebrities. He was also a prominent curator, organizing the hugely influential “Family of Man” exhibition in 1955… With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Historical Portraits” category. Quadtone Process (Words And Photos). A tritone image is printed with three inks, and a quadtone is printed with four inks. The inks are usually Pantone colors that you can choose in Photoshop beginning with a dark base color such as black, a variation of black, or another dark color, along with a lighter second ink. A tritone adds a third ink, and fourth ink is added for a quadtone… Some people focus on four distinct regions of the overall tone curve (from highlights to shadows) using cyan, magenta, yellow, and black in percentages that mimic a black-and-white photo i. To omit visible color detail and produce a range of tones approximating black, grey, and white. This is called a quadtone, quadtratone, or 4-color black-and-white image. From a distance, it looks like a black-and-white photo with incredible depth of tone and image detail, but through a printer’s loupe you can see the cyan, magenta, yellow, and black halftone dots… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 12.0 ins wide x 14.0 ins high mount board. Vintage Print: VP2D0829 is a GENUINE EDWARD STEICHEN, QUADTONE PLATE. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 2008, ready for a standard 12 by 14 frame, Image size: 7.48 ins wide x 9.45 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP2D0829 is a genuine Quadtone Plate print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 2008. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP2D0829 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12×14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

VTG Edward Steichen Print Frank Lloyd Wright Engraving Portrait 1932 Mat 12x14

Print Frank Lloyd Wright Engraving Portrait 12×14. Print Method: Quadtone Plate (Four different tones or color plates). Color / B&W: Black & White. Image Height: 9.45 ins. Image Width: 7.48 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 14.0 ins. Mount Width: 12.0 ins. Standard Frame: 12 by 14. The mount and mat are brand new. As a pioneer of fashion photography, Steichen’s gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world. Later in his career, Steichen became an influential impresario, promoting photography as a tool of mass media while retaining his fierce dedication to craft. He upheld these views as head of the photography department at the Museum of Modern Art, New York, from 1947 to 1962. National Gallery of Art. In 1900 Steichen made a brief stopover in New York City en route to Paris, where he was planning to study painting at the Académie Julian. White had come across the young artist’s photographs and was impressed enough to arrange for him to meet with Alfred Stieglitz (American, 1864 – 1946) at the Camera Club of New York. Stieglitz ended up purchasing three photographs from Steichen-a self portrait and two dreamy forest scenes-for the considerable price of five dollars apiece. American photographer who achieved distinction in a remarkably broad range of roles. In his youth he was perhaps the most talented and inventive photographer among those working to win public acceptance of photography as a fine art. He went on to gain fame as a commercial photographer in the 1920s and’30s, when he created stylish and convincing portraits of artists and celebrities. He was also a prominent curator, organizing the hugely influential “Family of Man” exhibition in 1955… With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Historical Portraits” category. Quadtone Process (Words And Photos). A tritone image is printed with three inks, and a quadtone is printed with four inks. The inks are usually Pantone colors that you can choose in Photoshop beginning with a dark base color such as black, a variation of black, or another dark color, along with a lighter second ink. A tritone adds a third ink, and fourth ink is added for a quadtone… Some people focus on four distinct regions of the overall tone curve (from highlights to shadows) using cyan, magenta, yellow, and black in percentages that mimic a black-and-white photo i. To omit visible color detail and produce a range of tones approximating black, grey, and white. This is called a quadtone, quadtratone, or 4-color black-and-white image. From a distance, it looks like a black-and-white photo with incredible depth of tone and image detail, but through a printer’s loupe you can see the cyan, magenta, yellow, and black halftone dots… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 12.0 ins wide x 14.0 ins high mount board. Vintage Print: VP2D0829 is a GENUINE EDWARD STEICHEN, QUADTONE PLATE. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 2008, ready for a standard 12 by 14 frame, Image size: 7.48 ins wide x 9.45 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP2D0829 is a genuine Quadtone Plate print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 2008. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP2D0829 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

Frank Lloyd Wright FALLING WATER framed Photograph Summer Winter print 1994

Frank Lloyd Wright FALLING WATER framed Photograph Summer Winter print 1994

Frank Lloyd Wright FALLING WATER framed Photograph Summer Winter print 1994

Frank Lloyd Wright FALLING WATER framed Photograph Summer Winter print 1994

Frank Lloyd Wright FALLING WATER framed Photograph Summer Winter print 1994

This stunning framed photograph captures the beauty of Frank Lloyd Wright’s masterpiece, “Falling Water”. The landscape orientation and medium size of the gloss paper print make it a perfect addition to any art collection. Although not signed, the print was produced in 1994 and features the iconic architecture and cityscape of Pennsylvania, USA. This modernist print is framed and ready to be displayed, showcasing the unique style and culture of American Mcm. With its handmade production technique and timeless theme, this print is sure to add a touch of sophistication to any room. Don’t miss out on the opportunity to own a piece of architectural history with this beautiful print.

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12×14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

VTG Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 1954 Mat 12x14

Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.

Frank Lloyd Wright Silkscreen Print March Balloons 33×33 Iconic Geometric

Frank Lloyd Wright Silkscreen Print March Balloons 33x33 Iconic Geometric

Frank Lloyd Wright Silkscreen Print March Balloons 33x33 Iconic Geometric

Frank Lloyd Wright Silkscreen Print March Balloons 33x33 Iconic Geometric

Frank Lloyd Wright silkscreen print titled “March Balloons”, measuring 33″ x 33″. This piece showcases Wright’s mastery of geometric abstraction, featuring a dynamic composition of overlapping circles and vibrant colors that embody the essence of the Art Deco era. Artist : Frank Lloyd Wright, renowned architect and designer. Medium : High-quality silkscreen print on archival paper. Dimensions : Approximately 33″ x 33″. Style : Geometric abstraction with vibrant, overlapping circular motifs. This print is in excellent condition, with vivid colors and no visible damage. It has been meticulously preserved to maintain its original quality. Originally designed by Frank Lloyd Wright in the 1920s as part of a series of magazine covers, “March Balloons” reflects Wright’s innovative approach to design and his exploration of geometric forms. Art enthusiasts and collectors of Frank Lloyd Wright’s work. Adding a touch of sophistication to your home, office, or gallery. A thoughtful gift for admirers of architecture and design.