The Frank Lloyd Wright Art Deco Metal Letter Opener is a vintage collectible made of tin, measuring 8 inches in length. This stylish and functional desktop item features a unique design inspired by the Art Deco style popular in the early 20th century. Perfect for both practical use and as a decorative piece on a desk, this letter opener is a timeless and elegant addition to any workspace or collection. Pewter handle, stainless steel blade.
Offered here is an original typed and hand-signed letter by legendary American architect Frank Lloyd Wright, dated January 12, 1955, and sent from his renowned Taliesin West studio in Scottsdale, Arizona. This intimate and lighthearted note showcases a more personal side of Wright-far removed from formal architectural correspondence. Full Letter Transcription: Happy New Year to the official baker and her husband. Affection, (signed) Frank Lloyd Wright January 12th, 1955? About the Correspondence Unlike more formal letters, this example reflects Wright’s personal relationships within his inner circle, likely written to friends, associates, or members of the Taliesin Fellowship community. The phrase “official baker and her husband” suggests a familiar, possibly domestic connection-very likely tied to life at Taliesin, where apprentices, staff, and extended community members often lived, worked, and shared meals together. Wright was known for fostering a tight-knit, almost familial environment at Taliesin West, and food, hospitality, and communal living were central to that experience. Letters like this offer a rare glimpse into that world-where relationships extended beyond architecture into daily life. Historical Context By 1955, Frank Lloyd Wright was at the height of his late-career renaissance. He was actively working on major commissions, including the Guggenheim Museum, while continuing to mentor apprentices at Taliesin West. Personal notes such as this are particularly desirable, as they humanize Wright-revealing humor, warmth, and appreciation for the people around him. Details & Condition. Original typed letter on Taliesin West letterhead. Distinctive Taliesin red square insignia present. Hand-signed by Frank Lloyd Wright in ink. Dated: January 12, 1955. Light age toning consistent with period. Well-preserved with strong, legible signature? Provenance This letter comes from the collection of a prominent Scottsdale estate and collector, further reinforcing its authenticity and direct connection to Taliesin West and Wright’s Arizona years. Why This Piece Matters. Personally signed by Frank Lloyd Wright. Warm, personal New Year message-uncommon tone. Direct connection to Taliesin West community life. Early-to-mid 1950s correspondence during peak creative period. Highly displayable and conversational piece? Perfect For. Frank Lloyd Wright collectors. Architectural history enthusiasts. Taliesin / Scottsdale collectors. Autograph and manuscript collectors. Interior designers seeking meaningful, framed conversation pieces.
Frank Lloyd Wright Autograph Letter Signed Taliesin West, February 23, 1954 An exceptional and highly desirable piece of mid-century design history-an original signed letter from Frank Lloyd Wright to renowned designer T. Robsjohn-Gibbings, written from Wright’s desert studio at Taliesin West in Scottsdale, Arizona. This correspondence captures a moment of professional recognition between two defining voices of 20th-century design. Letter Content Dear Robsjohn: TIME was good – but all will help circulate the book! Affection, Frank Lloyd Wright Boldly signed in ink by Wright. Historical Significance Dated February 23, 1954, this letter references contemporary media attention-specifically a TIME Magazine feature-surrounding Robsjohn-Gibbings and the promotion of his design philosophy and published work. By this period, Robsjohn-Gibbings had firmly established himself as a leading tastemaker through his influential writings, including Goodbye, Mr. Chippendale, which challenged traditional revivalism and helped define a more intellectual and restrained modern aesthetic. Wright’s remark-”all will help circulate the book”-offers a rare, candid glimpse into the role of national press in shaping design discourse during the height of the mid-century era. It also reflects a moment of mutual awareness and respect between two figures who, while stylistically distinct, were both instrumental in shaping modern American taste. Provenance Acquired from the estate of a prominent Scottsdale, Arizona collector, known for assembling a focused and high-quality collection of architectural and design-related material. A compelling regional connection-this letter originates from Taliesin West and remained in the same geographic sphere for decades. 11″ x 8″. Condition: Light age toning, original fold lines, and minor spotting consistent with age. Presents beautifully with a strong, legible signature. Collector Notes. Direct correspondence between two major figures in architecture and design. References TIME Magazine-rare contextual detail in Wright letters. Taliesin West origin adds significant desirability. Increasingly scarce material connecting Wright to other design-world contemporaries? Additional Listings Please view my other listings for additional letters and material from this same collection, including other significant correspondences related to Frank Lloyd Wright and mid-century design history.
Offered here is an original typed and hand-signed letter by legendary American architect Frank Lloyd Wright, dated June 12, 1954, from his celebrated Taliesin West studio in Scottsdale, Arizona. This piece is part of a small group of intimate, personal correspondences-offering a rare and candid glimpse into Wright’s day-to-day relationships within his inner circle. Full Letter Transcription: My dear official baker and her helper: Thanks. All goes on better and better. With you two too, I hope. Faithfully, (signed) Frank Lloyd Wright June 12th, 1954? About the Correspondence This letter closely relates in tone and subject to the 1955 example you have, suggesting an ongoing personal relationship between Wright and the recipients-likely members of the Taliesin Fellowship or close associates involved in daily life at Taliesin. The repeated reference to the “official baker” reinforces the idea of a communal living environment, where roles-both formal and informal-were integral to the rhythm of Taliesin life. Wright’s acknowledgment of such roles highlights his appreciation for the people who contributed to the functioning of his architectural community. The phrase “All goes on better and better” offers a subtle but meaningful insight into Wright’s mindset during this period-one of continued productivity and optimism in his later years. Historical Context In 1954, Frank Lloyd Wright was deep into one of the most productive late phases of his career. Operating out of Taliesin West, he was not only designing major works but also mentoring apprentices in an immersive, community-driven environment. Letters like this are especially compelling because they move beyond formal commissions and reveal the human side of Wright-his humor, gratitude, and everyday interactions. Details & Condition. Original typed letter on Taliesin West letterhead. Iconic Taliesin red square insignia present. Hand-signed by Frank Lloyd Wright in ink. Dated: June 12, 1954. Light age toning consistent with period. Strong, clean signature with characteristic flourish. Fold lines as expected from mailing/storage? Provenance This letter comes from the collection of a prominent Scottsdale estate and collector, adding strong regional and historical relevance-particularly given its origin from Taliesin West itself. Why This Piece Matters. Personally signed by Frank Lloyd Wright. Intimate, informal correspondence. Direct connection to Taliesin West community life. Companion piece to similar Taliesin correspondence (great for grouping). Insight into Wright’s personal tone and relationships? Perfect For. Frank Lloyd Wright collectors. Architectural historians. Taliesin / Scottsdale collectors. Autograph and manuscript collectors. Interior designers seeking meaningful, displayable works.
Make an Offer Today and. Get a Quick Response! FRANK LLOYD WRIGHT – TYPED LETTER SIGNED 01/28/1953 – HFSID 295422. FRANK LLOYD WRIGHT The influential American architect responds to a letter from a woman in Washington, D. Saying Is the enclosure with your card intended to serve notice to me that I have had my labor for my pains? Or “Love’s labor lost”. ” Typed Letter signed: ” Frank Lloyd Wright , 1 page, 11×8½. Scottsdale, Arizona, 1953 January 28. On letterhead of Taliesin West, a home Wright built in 1937, and addressed to Miss Jency Price, Washington, D. In full: My dear Jency Price: Is the enclosure with your card intended to serve notice to me that I have had my labor for my pains? “Round Towers” sounds expensively wrong to me. Accompanied by the original transmittal envelope, postmarked Scottsdale, Arizona, January 28, 1953. However, Wright revolutionized architecture with his ideas. He adapted his buildings to the environment, using the colors, forms, and textures of nature to furnish the aesthetic as well as functional needs of the inhabitants. Among Wright’s most notable structures are the Imperial Hotel in Tokyo (1922); Fallingwater in Mill Run, Pennsylvania (1936); and the Guggenheim Museum in New York City (1959), along with his homes Taliesin in Spring Green, Wisconsin (1911); and Taliesin West in Scottsdale, Arizona (1937). He also wrote several books, including An Organic Architecture (1939), When Democracy Builds (1946), and An American Architecture (1955). Two 1-inch tears at top left. See additional material from these signers. See 1,675 other listings in these categories. Please note that this is an authentically signed item. We do not sell autograph copies or signature reprints. Images shown may contain our company watermark. The actual item does not contain this watermark. This item has been authenticated and is accompanied by a Certificate of Authenticity issued by our parent company, Gallery of History, Inc. We financially stand behind our COA. Ask us about our PSA/DNA and JSA authentication guarantee. Our Third & Best Handbook. Your Guide to Historical Documents. For both experienced and novice collectors, and for those who simply love learning history, this beautiful 253-page hardcover volume is for you! Visit Us Today to See Over 40,000 Rare Autographs and Manuscripts! Explorers & Western Americana. Gallery of History is the world’s largest dealer of authentic autographs and manuscripts. Our inventory contains items in all areas of interest, including presidents, royalty, military, aviation, religion, business, science, celebrities, sports, music, authors, and more. Whether you’re looking to add to your collection, acquire a unique centerpiece for the home or office, or find a truly one-of-a-kind gift for someone special, you’ll find it here at HistoryForSale. The Gallery of History. Founded in 1981, is a long-standing UACC Registered Dealer, #RD110, and is a long-standing member of the Manuscript Society. The Gallery of History is the largest dealer in the world, with an available inventory exceeding 230,000 rare autographs and manuscripts. Our unframed items are sent either in acid-free archival sleeves or encapsulated, when noted. The majority of our in-house framed items are also encapsulated in acid-free sleeves to guard against organic acids, mounted in an acid-free environment, and framed behind glass or UF3-AR Plexiglas, which blocks most ultraviolet light. We warrant to the original purchaser, for a period of ten (10) years from the date of sale, the authenticity of any autograph offered by HistoryForSale. Gallery of History is not liable for any other damages, including consequential damages. There are no other warranties of any nature, either expressed or implied, including but not limited to the warranties of merchantability and fitness for a particular purpose.
Frank Lloyd Wright-inspired letter opener featuring the iconic Coonley Playhouse window design, produced by Acme Studio. The handle displays a geometric enamel inlay based on Wright’s celebrated architectural motifs, making this both a functional desk accessory and a collectible design object. Good vintage condition with visible signs of use. The pointed tip is originally shaped this way by design and is not chipped or broken. There is minor surface wear with small areas of paint loss, consistent with normal desk use. The enamel design panel remains intact and visually striking. Please review all photos closely, as they form part of the description. Designer: Frank Lloyd Wright (design). Maker: Acme Studio. Material: Metal with enamel inlay. 7 inches long by 3/4 inch wide. Era: Late 20th century. A desirable piece for Frank Lloyd Wright collectors, architecture enthusiasts, or anyone seeking a distinctive modernist desk accessory.
The ACME Studio FRANK LLOYD WRIGHT “Playhouse” Ball Point Pen & Letter Opener Set combines functionality with a touch of vintage charm. Designed by renowned architect Frank Lloyd Wright, this set features a sleek metal construction with chrome trim, adding a touch of sophistication. The black ink color and ballpoint pen make it practical for everyday use, while the letter opener feature adds versatility to this unique and collectible piece. Made in the United States, this set is a stylish addition to any pen and writing instrument collection. Letter opener shows signs of usage.
Letter is typewritten and addressed to my Grandfather Frederick W. Kant and signed with. A VERY NICE FLOWING signature by Frank Lloyd Wright. DATED: September 1st 1950. Wrights letter was in response to my grandfathers request for some design help on my grandparents’ home located at. 1000 Lombard Street At the bottom of the FAMOUS WINDING STREET! My grandfather was a very well respected attorney who practiced law at the “Mills Building”. “TALIESIN” is EMBOSSED not PRINTED, RARE!!
This Autographed Dated June 19, 1933 8.5×11 Typed Letter has been Personally Signed by Frank Lloyd Wright. This item is 100% Authentic to include a Certificate of Authenticity (COA) / hologram by Beckett Authentication Services.
The design has silver line work with red, yellow, and blue accents on a black background that are reminiscent of the windows in the child’s playhouse designed by Wright for Avery Coonley in the suburbs of Chicago – representing balloons and confetti in a Fourth of July Parade.
