Posts tagged gibbings

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Frank Lloyd Wright Signed 1953 Manuscript to Robsjohn Gibbings Book

Description Frank Lloyd Wright Typed Manuscript / Foreword Draft – Signed Taliesin West, December 24, 1953 An exceptional and highly important piece of mid-century design history-an original typed manuscript draft authored and signed by Frank Lloyd Wright, prepared in support of designer T. Robsjohn-Gibbings and his publication Homes of the Brave. This is not a simple letter, but a working manuscript/foreword-style text, offering Wright’s intellectual and critical perspective on Robsjohn-Gibbings’ work at a pivotal moment in American design. Manuscript Content (excerpted) The typed text-clearly composed by Wright-includes: “Robsjohn Gibbings’ pen and Mary Petty’s pencil marry well and settle down happily together in’Homes of the Brave’. ” “. The Robsjohn Gibbings’ humor restores human scale to the American scene. ” “. The sterile cliché that organized publicity has made of’modernity’ becomes manifest. ” “. Under the guise of humor’Homes of the Brave’ gets inside and brings home the truth about modern fakery. ” The manuscript continues across two pages, concluding with: “Frank Lloyd Wright Taliesin West December 24th, 1953″ Signed in ink by Wright. Historical Context & Book Connection This manuscript directly corresponds to Robsjohn-Gibbings’ book Homes of the Brave (published mid-1950s), a sharp and often humorous critique of American domestic architecture and design culture. Wright’s text reads as a foreword or promotional essay, endorsing the book while simultaneously reinforcing his own long-standing critique of superficial “modernity” in American building practices. Notably, Wright praises. The collaboration between Robsjohn-Gibbings (text) and Mary Petty (illustrations). The book’s critique of “modern fakery”. Its restoration of human scale and honesty in design This places the document squarely within the intellectual discourse of the era-where leading figures like Wright and Robsjohn-Gibbings were actively shaping the narrative around what “modern” should truly mean. Unique Features. Typed by Frank Lloyd Wright (not dictated correspondence). Handwritten ink signature at conclusion. Additional handwritten note at top margin, likely in Wright’s hand, referencing Robsjohn directly. Multi-page manuscript format-indicative of a draft or submission copy rather than casual correspondence? Provenance From the estate of a prominent Scottsdale, Arizona collector, with a focused collection of architectural and design material. Strong regional significance-created at Taliesin West and preserved within the same geographic context for decades.

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Signed Letter 1954 to Robsjohn Gibbings TIME Design Legends

Frank Lloyd Wright Autograph Letter Signed Taliesin West, February 23, 1954 An exceptional and highly desirable piece of mid-century design history-an original signed letter from Frank Lloyd Wright to renowned designer T. Robsjohn-Gibbings, written from Wright’s desert studio at Taliesin West in Scottsdale, Arizona. This correspondence captures a moment of professional recognition between two defining voices of 20th-century design. Letter Content Dear Robsjohn: TIME was good – but all will help circulate the book! Affection, Frank Lloyd Wright Boldly signed in ink by Wright. Historical Significance Dated February 23, 1954, this letter references contemporary media attention-specifically a TIME Magazine feature-surrounding Robsjohn-Gibbings and the promotion of his design philosophy and published work. By this period, Robsjohn-Gibbings had firmly established himself as a leading tastemaker through his influential writings, including Goodbye, Mr. Chippendale, which challenged traditional revivalism and helped define a more intellectual and restrained modern aesthetic. Wright’s remark-”all will help circulate the book”-offers a rare, candid glimpse into the role of national press in shaping design discourse during the height of the mid-century era. It also reflects a moment of mutual awareness and respect between two figures who, while stylistically distinct, were both instrumental in shaping modern American taste. Provenance Acquired from the estate of a prominent Scottsdale, Arizona collector, known for assembling a focused and high-quality collection of architectural and design-related material. A compelling regional connection-this letter originates from Taliesin West and remained in the same geographic sphere for decades. 11″ x 8″. Condition: Light age toning, original fold lines, and minor spotting consistent with age. Presents beautifully with a strong, legible signature. Collector Notes. Direct correspondence between two major figures in architecture and design. References TIME Magazine-rare contextual detail in Wright letters. Taliesin West origin adds significant desirability. Increasingly scarce material connecting Wright to other design-world contemporaries? Additional Listings Please view my other listings for additional letters and material from this same collection, including other significant correspondences related to Frank Lloyd Wright and mid-century design history.