My Father Who is on Earth SIGNED by John Lloyd Wright 1946 1st Edition Putnam HC (2171186). This is a used book with heavy wear, missing the dust jacket. Signed by John Lloyd Wright on the second page, with an inscription “in the cause of peace” and the year’46. Also has a gift inscription on the front endpage. Some corner damage, water damage and stains on the cover and inside. Binding is intact, moderate unidentified smell, no signs of mold or mildew. See pictures for overview of condition. We are BrightLight Books.
This set includes all of Wright’s works, signed by the author himself. The books are in hardcover format and published by A. The language of the books is English, and they are a must-have for any collector of architecture books. The set is in excellent shape and would make a great addition to any library or collection. It is a unique opportunity to own a piece of architectural history.
This piece is not stained glass. The design is reverse applied and molded to the glass. The signature is illegible to me and the frame has an identification plate attached to the right side that reads Dickinson Wright PLLC. Upon research, this DW is a huge law firm and not a product production company. If you know, please fill me in, I would be grateful for the information.
The Story of the Tower: The Tree that Escaped the Crowded Forest. By Frank Lloyd Wright. First edition, signed by the architect. New York: Horizon Press, 1956. Signed by Frank Lloyd Wright on the front free endpaper within printed red square and dated 58. Ownership signature of Wright’s student, George Knowles in pencil above Wright’s signature. Bound in publisher’s black cloth boards lettered and stamped in red and gilt; lacking the dust jacket. Very Good with light rubbing and fading to spine and edges, heaviest along top edge of upper board. Binding shaken with light toning to contents. A profusely illustrated monograph of the famous architect’s design and construction of The Price Tower in downtown Bartlesville, Oklahoma. The tower was built for Harold C. Price as a corporate headquarters for his pipeline construction company. The initial project was laid out for a cluster apartment complex in New York City in 1929, but was never realized due to the Great Depression.
This piece is not stained glass. The design is reverse applied and molded to the glass. The signature is illegible to me and the frame has an identification plate attached to the right side that reads Dickinson Wright PLLC. Upon research, this DW is a huge law firm and not a product production company. If you know, please fill me in, I would be grateful for the information.
This piece is not stained glass. The design is reverse applied and molded to the glass. The signature is illegible to me and the frame has an identification plate attached to the right side that reads Dickinson Wright PLLC. Upon research, this DW is a huge law firm and not a product production company. If you know, please fill me in, I would be grateful for the information.
Kentuck Knob: Frank Lloyd Wright’s House for I. And Bernardine Hagan Signed by Hagan! Author: Hagan, Bernardine Title: Kentuck Knob: Frank Lloyd Wright’s House for I. Publication: Pittsburgh, PA: The Local History Company, 2005. Red cloth boards in dust jacket, quarto [8.75" x 11.25"], illustrated in color and b&w. Book has handsome boards and tight binding, text clean bright and unmarked. DJ fine, now in archival mylar wrap. Expedited options are available at checkout. Our warehouse is staffed Monday-Friday and we respond to inquiries as quickly as possible. We hope you enjoy browsing our selection of great books. This listing was created by Bibliopolis.
This piece is not stained glass. The design is reverse applied and molded to the glass. The signature is illegible to me and the frame has an identification plate attached to the right side that reads Dickinson Wright PLLC. Upon research, this DW is a huge law firm and not a product production company. If you know, please fill me in, I would be grateful for the information.
This hardcover book titled “Loud Wright: The Architecture of Frank Lloyd Wright” by Alan Weintraub is a must-have for any architecture enthusiast. The book is beautifully illustrated and includes a dust jacket, making it a great addition to any collection. It is also signed by Eric Loyd Wright the grand son who himself is an architect. It was signed at a special event about Frank Lipud right where Eric made an appearance and autographed the book. There is a program from the event included and a second pamphlet about the event. Not only is the book visually appealing, but it also contains special attributes such as being signed and personalized by the author. The book covers the topic of architecture and is region-specific to North America. This book is a true gem for collectors and enthusiasts alike.
SAVING OUR HISTORY, ALFONSO IANNELLI S WORKED FOR FRANK LLOYD WRIGHT ORPHEUM THEATER ” BILLY B VAN AND THE BEAUMONT SISTERS” SIGNED POSTER. Alfonso Iannelli Orpheum Theatre Poster Silkscreen”Billy B Van and the Beaumont Sisters’. V large at 41.5 x 31.5 inches. Surface (matte black areas) show some rubbing. Backs are lightly soiled with old pricing in ink on corners. One of six Orpheum Theater posters produced, with the Iannelli estate’s permission, by the young Chicago Architecture Foundation in 1968 as a limited-edition fund raiser. Super high quality edition, hand-pulled silkscreen. From Chicago Center for the Print, originally written by Alan Artner. At the age of 12, and approximately 5 years later won a scholarship to the Art Students League in New York. Adept at both painting and sculpture, he started his career in commercial graphic design, opening his own studio where, by 1907, he was contributing drawings to Harper’s and The Ladies Home Journal. In 1910, he went to Los Angeles, and opened a design studio. Iannelli couldn’t have known at the time, at the age of 24, that his new job designing the lobby window for Los Angeles’ new Orpheum Vaudeville Theater could lead to his breakthrough into Modernism. Iannelli’s Orpheum posters gave vaudeville audiences a tangible advertisement for a new Modernism just flowering in avant-garde circles. The vibrant, geometrized figures he painted to represent the usual dog acts, comedians, dancers and singers on the circuit lines the theater’s lobby with abstractions never before seen by Los Angeles theatergoers. Iannelli’s posters caught the attention of Frank Lloyd Wright. In 1914 Iannelli accepted an invitation to come to Chicago to work with Wright on Midway Gardens, at 60th and Cottage Grove.
