Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
1945/46 Authentic Vintage YOUSUF KARSH Photo Engraving. Since 1989 – The Name You Can Trust For Fine Vintage Photogravures, Photographs & Antique Prints. Serving the Design & Decor trades for over 25 years. See our vintage and original prints featured in. Coastal Living, Dwell Magazine. And other fine quality publications. This Vintage Print Comes Professionally Dry Mounted On Acid Free Conservation Mat Board and Ready To Place In A Standard Size Frame. Photographer: Yousuf Karsh (Armenian born Canadian, 1908 – 2002) – Internationally renowned Canadian photographer best known for iconic portraits of historical figures including world leaders, artists, writers, athletes, actors, intellectuals and more. Yousuf Karsh’s iconic photographic portraits are held in museums and important photography collections throughout the world. Frank Lloyd Wright who was an American architect, interior designer, writer, and educator. Date Of Negative: Circa 1945 Type Of Print: Authentic Vintage Photo Engraving (offset photo-lithograph). Date Of Print: 1946 Paper: Medium weight clay coat, fine semi-gloss/matte luster finish. Approximate Image Size: 11.5 X 8.5 inches Mount Board Size: 20 x 16 inches. Print Border: No – full bleed print. Condition Grade: Fine + + Verso: Professionally dry mounted with archival materials on 4ply museum mat board. C ertificate Of Authenticity (COA): Yes – Gallery Certified COA from Fine Photo Galleries. Yes – tamper proof hologram certification affixed to print mount verso and COA. Is pleased to offer an authentic. (NOT a modern reprint). Vintage 1946 photo engraving (fine offset lithography) by the internationally renowned Canadian photographer Yousuf Karsh. This vintage print is p rofessionally dry mounted on 20 x 16 inch archival museum mat board and ready to place into a standard size frame. Whether you collect fine vintage prints or are simply looking for extraordinary interior decor, this extraordinary vintage print will frame and display beautifully! This vintage photography print is guaranteed to be authentic and comes with a hand signed. CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Fine Photo Galleries Archive & Database. READY FOR FRAMING & DISPLAY! Photography prints are highly collectible and perfect for framing and display. Your vintage print will arrive ready to be placed directly into a standard size frame. Each vintage artwork comes with a fully authenticated gallery certified COA (Certificate Of Authenticity) issued by Fine Photo Galleries, LLC.. This COA contains a unique serial number and small corresponding tamper proof hologram with matching serial number affixed to the backside of the print mount board with archival adhesive. Our exclusive authentication system and the ensuing COA/Hologram not only provides our clients with essential peace of mind but, adds value to the print in the future by providing provenance and the original gallery authenticity guarantee documents. WE LIST DOZENS OF NEW ARRIVALS EVERY DAY! Where you can search our World Class Selection of authentic vintage prints by photographer, subject or process. Browse THOUSANDS of fine vintage photography prints from silver gelatin to photogravure. Never a copy print, never a reprint! We Appreciate Your Patronage! Unauthorized copying or use of ANY PART of this description is prohibited.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.