Posts tagged lloyd-wright
Php on line 6. Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP5C8AF6 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP5C8AF6 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP5C8AF6 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Frank Lloyd-Wright Portrait Engraving Art Print 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP3F6129 is a GENUINE YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with SECURITY ID. Vintage Print: VP3F6129 is a genuine 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a Gallery Security ID. The Security ID on the COA matches the Security ID on the label. Vintage Print: VP3F6129 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching Security ID.
Great pre-owned condition, no defects other than some minor signs of use. Walnut stain base and accent lines with protective glass lens. Requires one AA battery. From the Frank Lloyd Wright Collection®. 5 Engraving plate included. Make me an offer, and don’t forget to bundle and save!
1954 Vintage Yousuf Karsh Print Frank Lloyd-Wright Portrait Engraving Art 14×12. Print Method: 6 Plate Lithograph (Multiple plates, multiple ink tones, photographic lithograph). Color / B&W: Black & White. Image Height: 7.28 ins. Image Width: 9.45 ins. (New) Mount & Mat Board: 100% Cotton, Acid Free, Museum Grade Mount Board. Mount Height: 12.0 ins. Mount Width: 14.0 ins. Standard Frame: 14 by 12. The mount and mat are brand new. Born: Ottowa, Canada, 1908. An Armenian genocide survivor, Karsh migrated to Canada as a refugee. By the 1930s he established himself as a significant photographer in Ottawa, where he lived most of his adult life, though he traveled extensively for work. His iconic 1941 photograph of Winston Churchill was a breakthrough point in his 60-year career, through which he took numerous photos of known political leaders, men and women of arts and sciences. Over 20 photos by Karsh appeared on the cover of Life magazine, until he retired in 1993. In 1943 he boarded a Norwegian freighter containing a cargo of explosives which was bound from Canada to Britain and stayed in London to photograph wartime leaders and intellectuals. Many of these photographs were published in the Illustrated London News and played their own part in raising the nation’s morale. Karsh’s ability to produce the’definitive’ portrait of so many of the great men and women, not only Churchill but Kennedy, Khrushchev, Castro, Hemingway and others, was not achieved lightly. In addition to the long sittings he often required, he researched his sitters thoroughly before meeting them, and his careful studio lighting, which he first learned with the Ottawa Little Theatre in the 1930s, is legendary. Courage, too, was required, for who else would have dared to pull the cigar from Churchill’s mouth or persuaded Khrushchev to dress up in a large fur coat? Audrey Hepburn:- When I photographed her in Hollywood and commented on her quality of sophisticated vulnerability, she told me of her harrowing experiences during the Second World War. Years later, in the Kremlin, Chairman Brezhnev agreed to sit for me only if I made him as beautiful as Audrey Hepburn. National Gallery of Canada. A great many personalities from the cultural, scientific and political milieus that shaped the twentieth century have been immortalized on film by internationally renowned photographer Yousuf Karsh. These portraits where shadows play with dramatic light bear witness to a century, but above all to the photographer’s humanistic vision. The human aspect, exchanges between the photographer and his subject, and the revelation of his or her personality via photography are at the core of his practice. With an online database of more than 17,000 photographers, Vintage Photo Prints has been serving art collectors around the globe since 1982. To browse our latest daily arrivals in the gallery. More items in the “Portrait” category. 6 Plate Lithograph Process. Principle of Lithography (Wikipedia). Lithography uses simple chemical processes to create an image. For instance, the positive part of an image is a water-repelling (“hydrophobic”) substance, while the negative image would be water-retaining (“hydrophilic”). Thus, when the plate is introduced to a compatible printing ink and water mixture, the ink will adhere to the positive image and the water will clean the negative image. This allows a flat print plate to be used, enabling much longer and more detailed print runs than the older physical methods of printing e. Intaglio printing, letterpress printing… Offset lithography involves printing the image onto an intermediate surface before the final sheet. The process is’offset’ because the plate does not come in direct contact with the paper, which preserves the quality of the plate. With offset lithography, the image is reversed twice, and appears on the final sheet the same way round as on the stone or plate… EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP421DC5 is a GENUINE, ORIGINAL, YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with TAMPER PROOF SECURITY HOLOGRAM with SECURITY ID. Vintage Print: VP421DC5 is a genuine, original 6 Plate Lithograph print. It is not a modern copy of any kind nor a digital reprint. It is an authentic vintage print made in 1983. The print mount comes with a label fixed to the reverse side of the archival mount-board. The label contains the information needed to confirm the authenticity of the print. There is a QR code on the label which you can scan to go directly to your database page without having to enter the vintage id. The label has a tamper proof, security hologram with a Security ID. The Security ID on the hologram matches the Security ID on the label. Vintage Print: VP421DC5 comes with a signed letter certifying its authenticity. The letter also contains a copy of the label from the back of the print mount (see above) and a matching tamper proof, security hologram with matching Security ID. The matching, tamper proof security holograms on the letter of authenticity and the rear mounted label hold the Security ID confirming the authenticity of this collector piece.
EXTRA FINE COLLECTOR CONDITION PRINT with BRAND NEW, professionally dry-mounted MOUNT AND MAT with archival, museum grade, 14.0 ins wide x 12.0 ins high mount board. Vintage Print: VP7F40A7 is a GENUINE, ORIGINAL, YOUSUF KARSH, 6 PLATE LITHOGRAPH. It is NOT a copy of any kind nor a digital reprint. It is an AUTHENTIC VINTAGE PRINT made in 1983, ready for a standard 14 by 12 frame, Image size: 9.45 ins wide x 7.28 ins high. GALLERY CERTIFIED with TAMPER PROOF SECURITY HOLOGRAM with SECURITY ID.
Pauli Lame is best known for her work and fabrication of the the mural “Willows & Reflections” in the Price Tower designed by Frank Loyd-Wright. She worked, lived, and displayed all over the nation. This is a special piece that came out of the estate of Harold C. Him and his wife, Carol, were avid collector’s of the mid century and New Mexico arts. Commissioned Frank Loyd-Wright to built the Price Tower. Frank Loyd-Wright commissioned John Dekoven Hill of Taliesin Associated Architects to design the mural, and they both recruited Pauli Lame to Fabricate the piece. Funny thing is she turned them down the first time they asked. She ended up living in Bartlesville. This is a rare piece that has characteristics of both mid century and New Mexico. This is a signed piece of museum quality art and very rarely offered on the public market. It displays the Traits of the Price Tower mural while having is own distinct characteristics she is known for in her bowls. Please view photos for further beauty in this art. Any questions please ask. Thank you for looking. The item “Pauli Lame Cloisonne Enamel On Copper Bowl Signed Frank Lloyd-Wright Price Tower” is in sale since Saturday, December 7, 2019. This item is in the category “Antiques\Periods & Styles\Mid-Century Modernism”. The seller is “finetodime” and is located in Sand Springs, Oklahoma. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Mexico, New Zealand, Singapore, Norway, Saudi arabia, United arab emirates, Bahrain, Croatia, Malaysia, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay.
- Subject: Mid Century Art Bowl
- Style: Mid-Century Modern
- Material: Copper
- Height: 4″
- Original/Reproduction: Original
- Width: 7″
- Features: Signed
- Color: Multi-Color
- Maker: Pauli Lame
Pauli Lame is best known for her work and fabrication of the the mural “Willows & Reflections” in the Price Tower designed by Frank Loyd-Wright. She worked, lived, and displayed all over the nation. This is a special piece that came out of the estate of Harold C. Him and his wife, Carol, were avid collector’s of the mid century and New Mexico arts. Commissioned Frank Loyd-Wright to built the Price Tower. Frank Loyd-Wright commissioned John Dekoven Hill of Taliesin Associated Architects to design the mural, and they both recruited Pauli Lame to Fabricate the piece. Funny thing is she turned them down the first time they asked. She ended up living in Bartlesville. This is a rare piece that has characteristics of both mid century and New Mexico. This is a signed piece of museum quality art and very rarely offered on the public market. It displays the Traits of the Price Tower mural while having is own distinct characteristics she is known for in her bowls. Please view photos for further beauty in this art. Any questions please ask. Thank you for looking. The item “Pauli Lame Cloisonne Enamel On Copper Bowl Signed Frank Lloyd-Wright Price Tower” is in sale since Thursday, August 1, 2019. This item is in the category “Antiques\Periods & Styles\Mid-Century Modernism”. The seller is “finetodime” and is located in Sand Springs, Oklahoma. This item can be shipped to United States, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Mexico, New Zealand, Singapore, Norway, Saudi arabia, United arab emirates, Bahrain, Croatia, Malaysia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay.
- Subject: Mid Century Art Bowl
- Style: Mid-Century Modern
- Material: Copper
- Height: 4″
- Original/Reproduction: Original
- Width: 7″
- Features: Signed
- Color: Multi-Color
- Maker: Pauli Lame
1901-02 oversized leaded art glass window or possibly door pane designed by american architect frank lloyd wright for the extant william e. Fricke residence located in oak park, il. The strongly geometric “light screen” is comprised of closely arranged lead cames with clear glass, interspersed by subtle blue opalescent squares throughout. The long and narrow segmented rectangles along the top, consist of hammered texture blue opalescent glass topped with pink cathedral glass squares. The exact fabricator is not known, but could be attributed to temple art glass or possible the linden glass company. The large window was purportedly removed from the passage way leading to the the non-extant pavilion that was demolished in the 1920′s. The three-story william g. Fricke house was originally designed and built in 1901-02 on the corner of fair oaks avenue and iowa street in oak park, il. The lot stood vacant until 1948 when a nondescript house was erected. Frank lloyd wright designed the house in 1901 during a brief partnership with webster itomlinson. Wright designed the garage for martin 1907. Fricke commissioned wright to build the home shortly after he became a managing partner at the weber-costello-fricke co. Specializing in school supplies. The stucco-clad house is one of the first completely mature prairie style designs by frank lloyd wright. Around this time wright had dropped nearly all of his classical and “sullivanesque” elements from his designs and/or commissions. The house is considered to be the most successful of wright’s three story prairie homes. To this day, it remains a private residence. The window measures 50 x 27 3/4 inches. Note: measurements include oak frame. The item “ORIGINAL EARLY 20TH CENT. HISTORICALLY-IMPORTANT FRANK LLOYD-WRIGHT DESIGNED LEA” is in sale since Tuesday, April 2, 2019. This item is in the category “Antiques\Architectural & Garden\Stained Glass Windows”. The seller is “urbanremains” and is located in Chicago, Illinois. This item can be shipped worldwide.
1901-02 oversized leaded art glass window or possibly door pane designed by american architect frank lloyd wright for the extant william e. Fricke residence located in oak park, il. The strongly geometric “light screen” is comprised of closely arranged lead cames with clear glass, interspersed by subtle blue opalescent squares throughout. The long and narrow segmented rectangles along the top, consist of hammered texture blue opalescent glass topped with pink cathedral glass squares. The exact fabricator is not known, but could be attributed to temple art glass or possible the linden glass company. The large window was purportedly removed from the passage way leading to the the non-extant pavilion that was demolished in the 1920′s. The three-story william g. Fricke house was originally designed and built in 1901-02 on the corner of fair oaks avenue and iowa street in oak park, il. The lot stood vacant until 1948 when a nondescript house was erected. Frank lloyd wright designed the house in 1901 during a brief partnership with webster itomlinson. Wright designed the garage for martin 1907. Fricke commissioned wright to build the home shortly after he became a managing partner at the weber-costello-fricke co. Specializing in school supplies. The stucco-clad house is one of the first completely mature prairie style designs by frank lloyd wright. Around this time wright had dropped nearly all of his classical and “sullivanesque” elements from his designs and/or commissions. The house is considered to be the most successful of wright’s three story prairie homes. To this day, it remains a private residence. The window measures 50 x 27 3/4 inches. Note: measurements include oak frame. The item “ORIGINAL EARLY 20TH CENT. HISTORICALLY-IMPORTANT FRANK LLOYD-WRIGHT DESIGNED LEA” is in sale since Friday, February 15, 2019. This item is in the category “Antiques\Architectural & Garden\Stained Glass Windows”. The seller is “urbanremains” and is located in Chicago, Illinois. This item can be shipped worldwide.
1901-02 oversized leaded art glass window or possibly door pane designed by american architect frank lloyd wright for the extant william e. Fricke residence located in oak park, il. The strongly geometric “light screen” is comprised of closely arranged lead cames with clear glass, interspersed by subtle blue opalescent squares throughout. The long and narrow segmented rectangles along the top, consist of hammered texture blue opalescent glass topped with pink cathedral glass squares. The exact fabricator is not known, but could be attributed to temple art glass or possible the linden glass company. The large window was purportedly removed from the passage way leading to the the non-extant pavilion that was demolished in the 1920′s. The three-story william g. Fricke house was originally designed and built in 1901-02 on the corner of fair oaks avenue and iowa street in oak park, il. The lot stood vacant until 1948 when a nondescript house was erected. Frank lloyd wright designed the house in 1901 during a brief partnership with webster itomlinson. Wright designed the garage for martin 1907. Fricke commissioned wright to build the home shortly after he became a managing partner at the weber-costello-fricke co. Specializing in school supplies. The stucco-clad house is one of the first completely mature prairie style designs by frank lloyd wright. Around this time wright had dropped nearly all of his classical and “sullivanesque” elements from his designs and/or commissions. The house is considered to be the most successful of wright’s three story prairie homes. To this day, it remains a private residence. The window measures 50 x 27 3/4 inches. Note: measurements include oak frame. The item “ORIGINAL EARLY 20TH CENT. HISTORICALLY-IMPORTANT FRANK LLOYD-WRIGHT DESIGNED LEA” is in sale since Sunday, December 16, 2018. This item is in the category “Antiques\Architectural & Garden\Stained Glass Windows”. The seller is “urbanremains” and is located in Chicago, Illinois. This item can be shipped worldwide.